SOCIAL-FIRST, VIDEO-LED PRODUCTION
FOR AGILE BRANDS & FOUNDERS

Your brand deserves more than content that looks good in a deck and then doesn’t perform in your feed. Motion and stills production that actually performs — built around your audience, your platforms, and the results you're accountable for.

A woman walking on a city sidewalk, wearing a beige sleeveless dress and carrying a patterned handbag over her shoulder.

CLIENT
‍ ‍
TORY BURCH

RESULTS
Over 950,000 views on hero film

A young man with a beard and light brown hair sitting at a table with a laptop, a flower arrangement, a brass lamp, a mug, and a book, gesturing with his hands and speaking.

CLIENT
‍ ‍
EVENTS BY JAMES GREEN

RESULTS
Over 45+ booking enquiries

Person holding a glass of red wine seated near a glass table with a bottle of liquor, a bowl of ice, and decorative plants in the background.

CLIENT
‍ ‍
BRUGAL RUM

RESULTS
Global reach to over 80K non-followers

Blurred photo of a person with dark curly hair, wearing a light-colored top, and looking down.

CLIENT
‍ ‍
DROP IN

RESULTS
Brought awareness to the brand in London

Close-up of a professional digital camera with a person in a white shirt reflected in the screen, set against a blurred background of people.

— HOW IT WORKS

CONTENT BUILT FOR YOUR FEED. YOUR AUDIENCE. YOUR RESULTS.

Whether you're launching a campaign, growing a community, or trying to make your brand feel as good as it actually is — you get motion and stills content that fits your platform, speaks to your audience, and doesn't gather dust in a Dropbox folder.

LIFESTYLE

EVENTS

FASHION

MOVEMENT & SPORT

FOOD & DRINK

LUXURY

FOUNDER

— FIRST REACTIONS

THE BEST TESTIMONIAL
IS THE FIRST MESSAGE
AFTER WE SEND THE EDIT.

These are the unedited messages we receive the moment the final cut lands in someone's inbox. Unfiltered. RAW reviews.

Re: Dear Coco x Finals
Inbox
AD
Ant Duckworth
to me
Thu, 19 Mar, 10:09 pm

Mate these are perfection. You've totally nailed it and we're beyond stoked with them.

They move fast, are visually interesting but tell the story in our natural voice — way to crush.

Ant Duckworth
Founder & CEO, Dear Coco
Ant Duckworth
Founder & CEO — Dear Coco
Brand Campaign
SD
Serge DeNîmes
Oliver, Tom, Elliot
📹📞
Today
Elliot shared a link · SG_HIDDENCITY_FINAL_V4 · frame.io
TC
Tom
Thanks for everything Elliot, been f**king diamond in the rough my g!
✓✓
Solid work, appreciate you. Hope you're as happy with it as we are!
✓✓
OP
Oliver
PROPER LEGEND
✓✓
Looks so f**king good, can't wait to get this one out!!
✓✓
🙏❤️‍🔥
Oliver Proudlock & Tom
Founder & Creative Director — Serge DeNîmes
Campaign Film

— IS THIS YOU?

AGENCIES. BRANDS. FOUNDERS.

You're a marketing agency with a client brief that needs a production partner you can actually rely on. You're a brand-side marketer with targets to hit and a content calendar that never slows down. Or you're a founder who knows your story is worth telling — you just need someone who can tell it properly.

If you understand that great content isn't a cost — it's what separates the brands people follow from the ones they scroll past — you're exactly who this is built for.

PRODUCTION PARTNER

VIDEO STRATEGY

CONTENT PLAYBOOK

A man in a tuxedo standing outdoors with a large sculpture of a bird behind him.

— WHAT YOU CAN EXPECT

FULL-SERVICE. AGILE. UNCOMPROMISING.

An illustration of a person sitting in a trophy cup, holding a laptop displaying a rising graph, with a champagne glass and a wine bottle on top.

You Hand Over the Brief.
We Handle the Rest.

Every stage — strategy, shoot, delivery — is taken care of. Your time stays on your business, not on chasing a production.

Line drawing of three people, one with a laptop, one holding a presentation board with a lightbulb icon, and one with a smartphone, in black and white.

The Right Crew for Your
Budget and Brief.

Lean and fast, or full-scale — your production scales to what the job demands. No unnecessary overhead on your invoice.

Illustration of diverse people in various poses, some using phones, sitting, in wheelchairs, and engaging in different activities, all depicted in a minimalist black and white style.

Content Your Audience
Actually Sees.

Every asset is built for the feeds, algorithms, and scroll patterns your audience lives in. Not just optimised in theory.

Stylized digital tablet with target, arrow, and upward trending line graph

Your Edits Back in 5 Days
Or Less.

Colour-graded, sound-designed, and platform-ready. Miss a launch window once and you'll never go back to slow turnarounds.

Two people sitting on a flying rocket, one holding a laptop and the other raising a hand.

High-End Visuals.
Without the Overhead.

Cinema-grade kit on standby. You get the production value that earns attention — without the six-week lead time.

Person building a tall brick wall with large rectangular blocks.

A Full Content Bank From a Single Production.

Efficient shoot days are planned to produce multiple assets — not just one piece. You leave with a bank of content to deploy across platforms over weeks or months.

— FAQS

YOUR QUESTIONS.
STRAIGHT ANSWERS.

— WORKING WITH US

  • You start with a real conversation — not a generic intake form. Your brand, your audience, and your goals shape everything from the first call. You're involved at every key stage, so there's no final cut that surprises you in the wrong direction.

  • Yes. If you have an in-house marketing team or an external agency already in the mix, the production fits around your workflow — not the other way around.

  • As involved as you want. Hand over the brief and trust the process — or be in the room at every stage. The level of involvement is yours to choose.

  • A focused call where you share your goals, audience, and vision. You'll receive a detailed proposal back — scope, timeline, deliverables, transparent budget breakdown. No padding. No filler.

— PRE-PRODUCTION

  • Everything. Concept development, scripting, storyboarding, location scouting, casting, permits, and full scheduling are all handled. By the time shoot day arrives, every decision is already made.

  • No. Location sourcing, permit paperwork, and logistics are all taken care of. You focus on your brand.

  • Most productions run 2–6 weeks from discovery to final delivery. Have a tight deadline? Bring it to the first call and the project will be structured around it.

  • Yes. With many of our clients we have a very pro-active working relationship from the creative stages all the way through to production. Your level of involvement is totally up to you!

— DELIVERABLES & TECHNICAL

  • Platform-specific formats as standard — correct aspect ratios, resolutions up to 4K, and social-optimised specs for Instagram, TikTok, YouTube, LinkedIn, and beyond. Your content arrives ready to publish.

  • 64 hours for V1s on average — colour-graded, sound-designed, and platform-ready. For fast-moving campaigns, that speed is built into the service, not charged as an extra.

  • Absolutely. Bring your existing footage and you'll get back something that actually works — whether that's a clean edit or a full post-production overhaul.

  • Yes — both are included in every delivery. Animation is available as an add-on where it genuinely enhances the final piece.

— COSTS & BUDGET

  • Your project is scoped individually based on creative & campaign scale — and you get a detailed, transparent breakdown before anything begins. No hidden costs.

  • Projects typically start from £2,500+. Each project gives you a properly planned, efficiently run shoot day that produces a genuine bank of content — multiple assets you can use across platforms over an extended period. It's not a single deliverable and done. It's content built to work for you long after the shoot day is over.

  • Yes — retainer packages exist for exactly this. Consistent output, better rates, and a dedicated team that already understands your brand. Your content pipeline stays full. Your costs stay predictable.

— PRODUCTION

  • Yes — and if it makes sense for your project, it's worth doing. One shoot day, one creative direction, two asset types. More efficient, more cohesive, and better value than running them as separate productions.

  • A lean crew is tight, fast-moving, and lower overhead — ideal for social-first shoots and founder content. A full crew brings specialist roles for more complex productions. You get a recommendation based on what your brief demands, not what costs more.

  • We do — entirely. You don't need to manage a single person on set. The production is coordinated, the crew are briefed, and shoot day runs to a schedule that's been locked in pre-production. Your job on the day is to be present, give creative feedback when asked, and trust the process. Everything else is handled.

Black and white silhouette illustrations of a woman and a man, both holding glasses and cups, with women on the left and men on the right, on a black background.

What Would Better Content Do
For Your Brand?

Book a strategy call. Bring the brief, the budget, or just the problem — we'll take it from there.